Tubers (2020)
Grey Anemone (2020)
The Special Special storefront on the occasion of Benjamin Langford: Late Summer. Floral arrangement courtesy of FleursBella, New York
DESIGNER OF THE DAY

Designer of the Day: Benjamin Langford

Benjamin Langford’s illusory plant-like works bloom and drape across walls, enveloping onlookers in a wondrous simulacrum of the lush outdoors. By photographing found plants, printing them on canvas, and hand-assembling them into soft sculptures, the Brooklynite brings the exquisite details of nature back into our lives—at least in a visceral sense.

Benjamin Langford’s illusory plant-like works bloom and drape across walls, enveloping onlookers in a wondrous simulacrum of the lush outdoors. By photographing found plants, printing them on canvas, and hand-assembling them into soft sculptures, the Brooklynite brings the exquisite details of nature back into our lives—at least in a visceral sense.

Here, we ask designers to take a selfie and give us an inside look at their life.

Age: 28

Occupation: Artist.

Instagram: @blangblang92

Hometown: Connecticut and London.

Studio location: Brooklyn.

Describe what you make: I make sculptures and photographs that play with ideas about nature and its representation in the contemporary world.

Yellow Schefflera (2020)
Tubers (2020)

The most important thing you’ve designed to date: Large-scale hyperrealistic canvas flowers—in various stages of wilting—have been my most important pieces so far. It’s an idea that I’ve been able to expand upon and make increasingly ambitious iterations of. I find lots of room to explore in it; right now, I have a show up at the gallery Special Special, which includes mostly sun-scorched leaves and flowers that bloom in late summer.

Describe the problem your work solves: Nature, in a visceral and tactile form, has been displaced from many people’s lives. My work helps to bring it closer to people.

Describe the project you are working on now: I am working on a project that looks quite different from my previous work. It’s a series of images that I took inside greenhouses printed on raw linen with hand-painted elements. They have a more somber and quiet tone than much of my work—they look more like artifacts. 

A new or forthcoming project we should know about: As a part of my show “Late Summer” at Special Special, I created an edition of felt planters in the shape of sun-chokes and turnips. They’re called “Tubers” and are now available in two sizes online and are featured in the gallery through the end of December. Otherwise, I’m developing this new body of work without a specific exhibition in mind yet. 

Tubers and Bleeding Hearts (2020)
Late Summer Still-Life (2020)
Grey Anemone (2020)

What you absolutely must have in your studio: My studio is constantly shifting depending on what I’m working on. I really only leave things pertinent to my current project on the walls and tend to work without music. Storage space and good light are my only real studio requirements.

What you do when you’re not working: I spend lots of time with my friends around the city. I love trying new food and restaurants.

Sources of creative envy: Van Gogh, Henri Rousseau, Cy Twombly, El Anatsui.

The distraction you want to eliminate: Social media in all forms.

Langford in his studio
Langford’s studio
The Special Special storefront on the occasion of Benjamin Langford: Late Summer. Floral arrangement courtesy of FleursBella, New York

Concrete or marble? Concrete.

High-rise or townhouse? Townhouse.

Remember or forget? Forget.

Aliens or ghosts? Aliens.

Dark or light? Light.

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