DESIGNER OF THE DAY

Designer of the Day: Taylor Kibby

Taylor Kibby’s intricate, free-flowing sculptures, which she painstakingly forms using salvaged ceramic chain links, are a study in dualities; they’re hard yet soft, delicate yet strong, obscuring yet revealing. Each is uniquely layered and complex, assembled so the L.A. artist can both ask and answer difficult questions about the shifting multiplicity of human emotion and the concept of change.

Taylor Kibby’s intricate, free-flowing sculptures, which she painstakingly forms using salvaged ceramic chain links, are a study in dualities; they’re hard yet soft, delicate yet strong, obscuring yet revealing. Each is uniquely layered and complex, assembled so the L.A. artist can both ask and answer difficult questions about the shifting multiplicity of human emotion and the concept of change.

Here, we ask designers to take a selfie and give us an inside look at their life.

Age: 30

Occupation: Artist.

Instagram: @taylor.kibby 

Hometown: San Francisco.

Studio location: Los Angeles.

Describe what you make: I make sculptures that explore dichotomies and change; the spaces in between. My most recent body of work uses ceramic chainmail and hand-woven beaded nets.

The most important thing you’ve designed to date: A studio practice focused on celebrating the imperfect, the impermanent, and beauty.

Describe the problem your work solves: I’m not sure it solves a problem, but I like to think my work re-centers thinking through making as a tool for reflection and self-discovery. It asks more questions than it could ever answer which is delightfully freeing.

Describe the project you are working on now: I continue to expand my use of shifting and kinetic materials like chains and nets to build larger and more complex sculptures.

A new or forthcoming project we should know about: I just opened my debut solo exhibition at Stroll Garden in Los Angeles, which is up now through May 13!

What you absolutely must have in your studio: I always have tea, music, and lots of room to move around. I think best when I’m pacing the studio or enjoying the L.A. sun coming through the studio windows.

What you do when you’re not working: I love cooking for people and taking walks in the park to have a picnic. 

Sources of creative envy: I really admire Louise Nevelson—her work but also her wild life. She was always pushing forward with such energy.

The distraction you want to eliminate: Self-doubt. It really is useless.

Concrete or marble? Marble.

High-rise or townhouse? Townhouse. 

Remember or forget? Remember.

Aliens or ghosts? Ghosts.

Dark or light? Can’t have one without the other.

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