Here, we ask an artist to frame the essential details behind one of their latest works.
Bio: Nina Chanel Abney, New York (@ninachanel).
Title of work: Soup Kitchen (2024).
Where to see it: “Lie Doggo” at Jack Shainman Gallery (25 Broad Street, Kinderhook, New York) until November 16.
Three words to describe it: Metaphorical: The soup cans serve as a metaphor for consumer culture and the commodification of identity, echoing Andy Warhol’s critique of mass production, while embedding deeper social commentaries within familiar imagery.
Playful: The bright colors and whimsical aesthetic draw viewers in with a sense of fun and curiosity, making complex themes more approachable.
Emotive: The unique facial expressions of each can evoke a range of emotions, highlighting the human experiences and stories that are often overlooked.
What was on your mind at the time: I was exploring the ways in which consumerism impacts individual identities and how economic disparities are often masked by the façade of consumer goods. I wanted to highlight the overlooked personal stories within these broader social issues.
An interesting feature that’s not immediately noticeable: The facial expression on each can is unique, reflecting a wide range of emotions and experiences. This detail is a subtle way of emphasizing the individuality that exists within a homogenous consumer culture.
How it reflects your practice as a whole: My work often involves reinterpreting the familiar to address complex social issues. By using vibrant visuals, I aim to draw people in and then encourage them to think more deeply about the underlying messages. This piece continues that approach, using the language of consumerism to critique and reflect on issues of identity and economic inequality.
One song that captures its essence: “How Much a Dollar Cost” by Kendrick Lamar. This song delves into themes of personal value, societal disparity, and the often-overlooked human experiences behind economic transactions. In the song, Kendrick narrates an encounter with an unhoused man who asks for a dollar. Initially refusing, Kendrick is later confronted with the revelation that the man is God in disguise, testing his compassion. The song explores the moral and spiritual costs of his actions, prompting listeners to reflect on their values and judgments. This mirrors the layered narratives in my work, encouraging viewers to contemplate the deeper social implications of consumerism and the human stories entwined with it. The song’s message about the true worth of money and humanity aligns with my aim to provoke thought about the complexities and consequences of consumer culture.
