“Adam D. Miller: Condalia” at The Future Perfect, New York. Photography by Joe Kramm
“Adam D. Miller: Condalia” at The Future Perfect, New York. Photography by Joe Kramm
“Santa Rita Cactus Lamp 3” (2023). Image courtesy of The Pit
DESIGNER OF THE DAY

Designer of the Day: Adam D. Miller

Adam D. Miller worked for years as a painter before meeting ceramicist and curator Tony Marsh, who encouraged him to pursue a more craft-based medium; he then assisted in producing Sterling Ruby’s ceramics before launching his own studio, where his creativity truly took off. Besides running the beloved artist-run L.A. gallery The Pit and creating a production line of ceramics called Reaperware, he crafts stools, lamps, bud vases, and other small vessels with vivid, borderline psychedelic imagery that draws from a multitude of influences like the Yucca desert where his family calls home, punk aesthetics, and the 1960s Japanese sci-fi television show Ultraman.

Adam D. Miller worked for years as a painter before meeting ceramicist and curator Tony Marsh, who encouraged him to pursue a more craft-based medium; he then assisted in producing Sterling Ruby’s ceramics before launching his own studio, where his creativity truly took off. Besides running the beloved artist-run L.A. gallery The Pit and creating a production line of ceramics called Reaperware, he crafts stools, lamps, bud vases, and other small vessels with vivid, borderline psychedelic imagery that draws from a multitude of influences like the Yucca desert where his family calls home, punk aesthetics, and the 1960s Japanese sci-fi television show Ultraman.

Here, we ask designers to take a selfie and give us an inside look at their life.

Age: 42

Occupation: Artist and gallerist.

Instagram: @adamdmiller_thepit

Hometown: Los Angeles.

Studio location: Los Angeles.

Describe what you make: I work in clay. The objects range from vessels to dishware to lighting, and ceramic furniture. I exhibit unique pieces with galleries. I also own and operate a functional line of ceramic homeware, called Reaperware. In addition to my studio practice, I am also one of the owners of The Pit, a contemporary art gallery in Los Angeles and Palm Springs.

“Adam D. Miller: Condalia” at The Future Perfect, New York. Photography by Joe Kramm
“Adam D. Miller: Condalia” at The Future Perfect, New York. Photography by Joe Kramm

The most important thing you’ve designed to date: Each show feels important in its own way. I recently made a body of work that will be on display at The Future Perfect gallery at their New York location. This is the first time that I’ve made lighting, which was a memorable challenge. I’m very happy with how they turned out.

Describe the problem your work solves: With Reaperware, we made a line of hand-built objects that are available for a much lower price point than the work I show with galleries, and are really meant for daily use. I love living with and using hand-made objects but often they’re too expensive for people. I really wanted to make something unique but also accessible.

Describe the project you are working on now: My solo exhibition at The Future Perfect’s New York gallery. I’ve started a new body of work which will be on view with Mindy Solomon Gallery in Miami next summer. I’m also making these extra-large wall-bound ceramic tondo pieces which will be in my solo exhibition there. It’s the first time that I’ve made these. 

“Adam D. Miller: Condalia” at The Future Perfect, New York. Photography by Joe Kramm
“Adam D. Miller: Condalia” at The Future Perfect, New York. Photography by Joe Kramm

A new or forthcoming project we should know about: Next summer, I’m doing a two-month artist residency in Versailles. It’ll culminate with a solo show at Galerie Lefebvre & Fils in Paris.

What you absolutely must have in your studio: I’ve gotta have music in the studio! I can’t work without Devo.

What you do when you’re not working: Take my kids to the skatepark, watch horror movies, and snuggle with my dogs. 

Sources of creative envy: H.C. Westermann’s sculptures and A.R. Penck’s paintings. 

“Santa Rita Cactus Stool 2” (2023). Image courtesy of The Pit
“Santa Rita Cactus Lamp 3” (2023). Image courtesy of The Pit

Concrete or marble? Concrete.

High-rise or townhouse? Townhouse.

Aliens or ghosts? Aliens.

Dark or light? Dark.

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