Crater Cup
Technicolor
Cobalt Cholla
DESIGNER OF THE DAY

Designer of the Day: Anders Hamilton

After a revelation while making a sundial in Mexico’s Chihuahuan Desert opened his eyes to the relationship between fine art and functional objects, Anders Hamilton strives for his pottery to achieve multiple states of existence—often serving as a gateway to sculpture. The co-studio manager of ceramics mainstay BKLYN CLAY now debuts new colorways of the popular Crater Cups, a lunar-inspired series of slipcast stoneware vessels with a rippling surface sprayed with contrasting colors to create an otherworldly illusion of light and shadow.

After a revelation while making a sundial in Mexico’s Chihuahuan Desert opened his eyes to the relationship between fine art and functional objects, Anders Hamilton strives for his pottery to achieve multiple states of existence—often serving as a gateway to sculpture. The co-studio manager of ceramics mainstay BKLYN CLAY now debuts new colorways of the popular Crater Cups, a lunar-inspired series of slipcast stoneware vessels with a rippling surface sprayed with contrasting colors to create an otherworldly illusion of light and shadow.

Here, we ask designers to take a selfie and give us an inside look at their life.

Age: 29

Occupation: Co-studio manager at BKLYN CLAY.

Instagram: @andershamilton_

Hometown: Fargo, ND.

Studio location: Brooklyn, NY.

Describe what you make: I make sculpture and functional objects. My work is often both at the same time. It all stems back to pottery as a gateway to sculpture. 

Crater Cups
Crater Cup

The most important thing you’ve designed to date: A sundial I made on the side of the road while driving through the Chihuahuan Desert in New Mexico. The basic form I used set my last four years of work in motion. It sits on a shelf in my bedroom, I look at it every morning while I drink coffee.

Describe the problem your work solves: This is definitely a personal problem, but I have a desire for objects to have multiple states of existence. This is most apparent with the sundial sculptures—they have an active state in the sun and a passive state indoors as a record of time. I ask the same thing of design objects. The Crater Cup for BKLYN CLAY Made, for example, is entirely functional and meant to be used, but I treat the surface the same way I would a sculpture. It’s about finding the right texture and color so that the object can hold space the way a sculpture might. I like to think of them being left half-full somewhere in the house and becoming an accidental work on display, rediscovered for just a moment.

Describe the project you are working on now: I’m in the middle of designing a vase that will complement the Crater Cup line. I’m excited about having a larger surface area to experiment with texture and spraying glaze.

A new or forthcoming project we should know about: Two new editions of the Crater Cup for BKLYN CLAY Made are now available. These editions have a sprayed stucco like texture that intensifies shadows and false light. They will first be available in a mint green / blood red combination and white with a lavender liner.

Soul
Technicolor

What you absolutely must have in your studio: Something to sip on… coffee or seltzer.

What you do when you’re not working: I try to be pretty intentional about relaxing when I’m not working. This usually revolves around a good meal and a few friends.

Sources of creative envy: Ron Nagle, Peter Fischli and David Weiss, Hilma af Klint, George Ohr, and Magdalena Suarez Frimkess.

The distraction you want to eliminate: Instagram, but not complete elimination—there’s some good stuff on there. 

Crater Cups
Cobalt Cholla

Concrete or marble? Concrete (polished).

High-rise or townhouse? Townhouse.

Remember or forget? Forget the concept of time when in the studio. Unless there’s a deadline, don’t forget those.

Aliens or ghosts? Aliens. I already know ghosts are real.

Dark or light? Light! Real or perceived light is a big part of my work right now. It’s also good to feel “light” in the studio, and not take things too seriously. 

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