“All By Myself But Not Alone” (2023). Photography by Evan Bedford, courtesy of Friedman Benda and Carmen D’Apollonio
“Before I Leave&rdrquo; (2024). Photography by Evan Bedford, courtesy of Friedman Benda and Carmen D’Apollonio
“Is There a Place For Me As Well?” (2023). Photography by Evan Bedford, courtesy of Friedman Benda and Carmen D’Apollonio
DESIGNER OF THE DAY

Designer of the Day: Carmen D’Apollonio

A trained window dresser and art director who spent a decade assisting Urs Fischer at his Berlin studio, Carmen D’Apollonio truly found her calling with pushing clay to extremes. Now based in Los Angeles and enmeshed in California’s rich ceramics tradition, the self-taught sculptor seems to have freed herself to approach her craft with no rules or boundaries. Whether her pieces slump, wiggle, or stand tall, each ceramic lamp is imbued with its own unforgettable narrative that’s purely the result of a designer mastering her medium while not losing sight of her sense of humor.

A trained window dresser and art director who spent a decade assisting Urs Fischer at his Berlin studio, Carmen D’Apollonio truly found her calling with pushing clay to extremes. Now based in Los Angeles and enmeshed in California’s rich ceramics tradition, the self-taught sculptor seems to have freed herself to approach her craft with no rules or boundaries. Whether her pieces slump, wiggle, or stand tall, each ceramic lamp is imbued with its own unforgettable narrative that’s purely the result of a designer mastering her medium while not losing sight of her sense of humor.

Here, we ask designers to take a selfie and give us an inside look at their life.

Age: 50

Occupation: Artist.

Instagram: @carmendapollonio

Hometown: Zürich.

Studio location: Los Angeles.

Describe what you make: Sculptures. Mostly ceramic, but sometimes not. Usually a lamp, but sometimes not.

“Millions Lost at the Penny Arcade” (2023). Photography by Evan Bedford, courtesy of Friedman Benda and Carmen D’Apollonio
“All By Myself But Not Alone” (2023). Photography by Evan Bedford, courtesy of Friedman Benda and Carmen D’Apollonio

The most important thing you’ve designed to date: The working process is the most important part to me.

Describe the problem your work solves: Creating light in the dark tunnel.

Describe the project you are working on now: With my latest pieces, I’ve been trying some recent ideas on a much larger scale. For example, I made a piece that was 15 inches tall and then tried to take the same figuration to make it four feet. Once you start scaling up in ceramics, everything becomes much more challenging and you’re really fighting with the materials. 

A new or forthcoming project we should know about: I’m present “Hallo It’s Me Again,” a solo show at Friedman Benda in Los Angeles, from May 16 through June 29.

“Dog and Pony Show.” Photography by Evan Bedford, courtesy of Friedman Benda and Carmen D’Apollonio
“Before I Leave&rdrquo; (2024). Photography by Evan Bedford, courtesy of Friedman Benda and Carmen D’Apollonio

What you absolutely must have in your studio: Cigarettes and coffee.

What you do when you’re not working: Knit sweaters, hand stitching, and embroidery.

Sources of creative envy: I don’t know about envy, but there are plenty of artists who inspire and excite me. Lately Lee Lozano’s paintings, Simone Fattal and Jacques Lipchitz ceramics. Dagobert Peche was a designer whose work I love. The list could go on and on.

The distraction you want to eliminate: My dog bugging me for table food.

“So Sorry, I Didn’t Mean To.” Photography by Evan Bedford, courtesy of Friedman Benda and Carmen D’Apollonio
“Is There a Place For Me As Well?” (2023). Photography by Evan Bedford, courtesy of Friedman Benda and Carmen D’Apollonio

Concrete or marble? Marble.

High-rise or townhouse? High-rise. 

Remember or forget? Forget.

Aliens or ghosts? Ghosts.

Dark or light? Light.

All Stories