The lighting designer of choice for some of the hottest drinking and dining spots in Mexico City inhabits a constant negotiation with dark and light, which extends beyond the confines of architecture to art, performance, and experience—with adventures in DJing and the city’s electronic music scene along the way.
The lighting designer of choice for some of the hottest drinking and dining spots in Mexico City inhabits a constant negotiation with dark and light, which extends beyond the confines of architecture to art, performance, and experience—with adventures in DJing and the city’s electronic music scene along the way.
Describe what you make:In the realm of design, I weave light from shadows, a paradox, perhaps, yet rooted in reverence for the night.
We honor the darkness, embracing its quiet embrace, crafting spaces and atmospheres, where light becomes art. We work with architectural lighting (retail, hospitality, cultural, residential), stage lighting and public spaces. My creations stand as a testament against the blinding glare, A relentless pursuit, seeking the strength of darkness, in spaces that dance between the poetic and the pragmatic, resonating with my journeys through nocturnal geographies.
Credit: Daniela Vargas…
Credit: Diego Velasco…
The most important thing you’ve designed to date:The most significant project I have created so far is my initial collection of light fixtures. This endeavor holds deep personal significance as it serves as a tribute to my father and grandfather, both exceptional doctors who have passed away. These illuminated pieces embody a living memory, one that endures and is everlasting. This collection has been instrumental in my healing journey, particularly regarding my father. I believe that when we lose someone dear to us, the wound remains, yet each time we acknowledge that wound, it is accompanied by feelings of love.
Describe the problem your work solves: The concept of SOMBRA, signifying shadow in Spanish, invites a profound exploration of the night and the protective essence it embodies. Nighttime, often perceived as a void, is a canvas for deep reflection and sensory exploration. By raising awareness about the significance of the night, we open avenues for individuals to engage with their surroundings in ways that transcend mere visual perception.
Light, traditionally associated with visibility, holds invisible attributes that can evoke emotions, create atmospheres, and alter perceptions. It is not solely about illuminating a space, but about crafting experiences that resonate on a deeper level. By enhancing the other senses—such as touch, sound, and even smell—we encourage a holistic engagement with the environment. The interplay between light and shadow becomes a dance that allows for the exploration of different ways of seeing.
Likewise, creating light objects involves not just a focus on materiality and the tangible aspects of design, but also on the feelings that light can evoke. Each piece interacts with its surroundings, enhancing the ambiance and influencing the emotional state of those within the space. This invites individuals to step beyond the visual spectrum, where the essence of the shadows it casts become a source of comfort and reflection.”
Describe the project you are working on now:We are working on a bar called Petra located in the heart of Roma in Mexico City. The concept for Petra is captivating, particularly with its emphasis on stone materiality and the goal of creating a mysterious atmosphere. The intention to enhance sensory experiences through high-quality audio and unique cocktails will certainly set the bar apart. We are custom making most of the luminaires and using candlelight to create a more intimate setting. I also plan to incorporate elements such as textured paper surfaces and thoughtful colored light. Additionally, I am exploring how the lighting and flow of the space can encourage both exploration and intimacy among guests.
Casa Obra is an intimate space where the soul finds rest on Zihuatanejo’s serene coast, a place where time can pause. The warm walls envelop residents in a feeling of belonging and safety, like a home’s embrace. Each sunset offers a private spectacle as the golden sun merges with the horizon. At night, the sky and ocean unite, creating a magical atmosphere under the stars. The gentle waves and soft breeze foster a unique connection between love and peace that only this special place can provide. Our goal is to create a delicate balance between living spaces and nature, allowing coexistence of community and private. We aim to design through balance, emphasize the incidence of light, and embrace the shadows of the Pacific.
Credit: Barbara Rudolph…
Credit: Diego Velasco…
Credit: Alejandro Ramírez Orozco…
What you absolutely have to have in your studio: First of all I absolutely need good vibes, I think of my studio as my second home, if me and my team don’t have good vibes the work does not flow, I don’t enjoy it. I came to notice that Sombra and my beautiful team really root me and ground me, they are my happy place, I’m really grateful to each one of them.
A MUST in Sombra is coffee and art, we have experimental drawing classes and our studio is filled with our expressions. Thirdly but not last, music. Music changes the vibes, it makes you feel a certain way, it resonates with yourself. ”
What you do when you’re not working: In addition to my work, I find immense joy in electronic music and DJing, whether at home, parties, or local venues. The beats and immersive sounds of electronic music resonate deeply with me, creating a sense of freedom. I also love city biking; navigating through traffic with the flow of the city around me gives me a liberating feeling, similar to the high of a great track at a party. Riding through the vibrant streets of Mexico City allows me to connect with my surroundings and embrace the energy of urban life. Additionally, I enjoy writing, which acts as an outlet for my thoughts and experiences, capturing the essence of my darkest self.
Sources of creative envy: My admiration for Junichiro Tanizaki’s essay In Praise of Shadows stems from its profound exploration of the beauty and significance of darkness and shadow in our lives. Tanizaki eloquently articulates how these elements contribute to our sensory experiences, challenging the conventional focus on light and visibility. This resonates deeply with me, as I believe that true understanding comes from engaging all our senses, not just our sight.
Similarly, Juhani Pallasmaa’s The Eyes of the Skin critiques the vision-centered society we inhabit, emphasizing the importance of tactile and sensory experiences in architecture and art. His insights inspire me to appreciate the often-overlooked aspects of our environment, inviting a more holistic approach to design and perception.
I am also inspired by Jean Rosenthal, a pioneering lighting designer, whose innovative work transformed how we perceive and experience performance spaces. Her ability to manipulate light to evoke emotions and shape narratives is something I strive to incorporate into my own creative endeavors.
Moreover, the artistry of Damien Jalet, known for his captivating choreography, invites me to explore movement and expression in new ways. His work embodies a fluidity and depth that challenges traditional boundaries, emphasizing the connection between the body and its surroundings. Lastly, Lina Bo Bardi’s architectural genius and her ability to blend culture, art, and environment resonate with my desire to create spaces that foster community and creativity.”
