Minjae Kim Makes a Highly Anticipated Return to L.A.’s Marta Gallery

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Minjae Kim Makes a Highly Anticipated Return to L.A.’s Marta Gallery

With “Phantom–22,” running from April 19 to May 31, Seoul-born, Brooklyn-based artist and designer Minjae Kim makes his highly anticipated solo return to L.A. gallery Marta, and looks to Los Angeles itself as inspiration. Anchored in cultural references (from a title that nods to P-22, the mountain lion who resided in Griffith Park from 2012 until 2022, to architectural creations that stem from the scenography of Buster Keaton’s L.A.-based silent film One Week, and an undercurrent rooted in the tactile transience of the city), the exhibition marks Kim’s most ambitious to date.—David Graver

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Vista Ostuni Revives a 14th Century Landmark in Puglia’s White City

Fashioned within an old landmark after a meticulous restoration by the Passera family, and architect Roberto Murgia of Milan’s RMA Studio, Vista Ostuni is a striking departure from its neighbors. This is not a traditional Apulian Masseria (farmhouse), nor does it conform to the ivory palette that defines Ostuni’s hilltop skyline. Vista Ostuni stands in bold contrast to the region’s familiar design codes. Rather, the property is a tapestry of reinventions in Puglia’s famed Byzantine town.—Taylor Stoddard

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Italian Modernism and Danish Midcentury Abound in Pierce & Ward’s Decor Capsule

It’s easy to see why Emily Ward and Louisa Pierce’s eponymous interiors firm has become a favorite among vintage enthusiasts. Their ability to craft richly-layered residences that strike the elusive balance between Old World elegance and a contemporary sense of lived-in ease has endeared them to the Hollywood set—Dakota Johnson and Leonardo DiCaprio are among those who have commissioned Pierce & Ward Studio. In addition to their interiors, the studio also oversees an online storefront for vintage and bespoke furniture, textiles, decor, and artwork united by 20th-century modernist and folk art influences.

Now, thanks to a newly-debuted West Elm collaboration, their signature style is more accessible than ever. The 100-piece capsule spans furniture, like handsome burl wood dressers and dining tables,fabric-covered pendant lighting informed by archival English and Danish traditions, glam wall mirrors that evoke the decadence of Italian Deco, and peel-and-stick wallpaper that looks anything but.—J.A.D.

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Noah’ Jewel-Box Storefront is an Ode to Slow Luxuries

Noah, the 10-year-old label founded by Brendon Babenzien and Estelle Bailey-Babenzien, has brought together influences from skate, surf, and music in their seasonal drops since the beginning. In recent years, the brand has also made inroads with the design world through a collaboration with Gubi and artisan furniture with its Japanese-made folding stool.

Its newest New York City storefront, named 199, is an ode to the inherent luxury of intentionality. In addition to Noah’s suiting and womenswear, its cedar-clad interiors host an assortment of vintage watches selected for the space by Foundwell, fine art by Curtis Kulig and Paul Ferney, and fragrances by Costa Brazil and Cerato. Lighting by Vy Voi studio’s Steffany Trần—a Surface Designer of the Day who exhibited last year at Collectible’s New York City debut—rounds out the space.

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Cartier Captivates with a New Privé Tank à Guichets Timepiece

Cartier has unveiled new Privé Tank à Guichets wristwatch styles, based on a timepiece that originally debuted in 1928. From the collection, the Maison’s limited edition platinum model—with a vertically oriented hour window, and minutes angled at 45 degrees—is more than just a revival, it’s a reinterpretation.—D.G.

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At Geneva’s Most Prestigious Watch Fair, a Chocolatier Challenges Convention

This past week, Swiss luxury timepiece brands, alongside international retailers and horological aficionados, all descended upon Geneva’s Palexpo for the annual Watches & Wonders trade show—a showcase of new releases from many of the biggest names in the business. Joining them was chef Mathieu Davoine, who arrived to the convention center for a different sort of debut. Davoine, the head chocolatier at the haute pâtisserie Othmane Khoris, designed a chocolate tasting menu for Jaeger-LeCoultre’s 1931 Café. 

The chocolatier, a member of the Swiss Culinary National Team, set to compete in the 2026 Culinary World Cup, was commissioned by Jaeger-LeCoultre to investigate the artistry behind chocolate as part of their Made of Makers program. Davoine developed four unique pieces, incorporating unexpected ingredients from Switzerland’s Vallée de Joux, along with a beverage from the frequently discarded cacao pod pulp. His intention was to use 100 percent of the pod, and push sensorial boundaries by crafting optical illusions that trick the senses.—D.G.

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This Spring, Everything is Coming up Magda Butrym

In Bloom, her H&M capsule collection, Magda Butrym asserts her affinity for sparkle in the form of sequin-embellished gowns and minidresses along with crystal-laden statement jewelry. Her signature floral rosettes adorn everything from ruched party dresses to silky cropped blouses, while shoulder-padded blazers and structured denim add intrigue to the edit. The capsule isn’t shoppable until April 24, but that hasn’t stopped Butrym’s loyal Warsaw-based clientele from calling the boutique and WhatsApping her about the possibility of early access.—J.A.D.