DESIGN

Our Favorite Pieces at Design Miami/ 2024

This year’s curatorial director Glenn Adamson cites “blue sky thinking”—unfettered, avant-garde exploration—as the inspiration for the collectible design fair’s 20th edition, which features some of the most exciting talents working today. Below are five of their most impressive pieces.

The Strawberry Tree by The Haas Brothers at R & Company x Marianne Boesky for Design Miami 2024. Credit: Kevin Todora; Courtesy of the Nasher Sculpture Center)

R & Company x Marianne Boesky: The Strawberry Tree by The Haas Brothers 

Part-sculpture, part-lighting installation, this monumental work combines several intricate design techniques—bronze casting for its patinated blue tree trunk and branches, hand-beading for its Venetian glass-bead leaves, and glassblowing for the delicate pink-hued berries that glow beneath them—to a whimsical, beckoning effect.

Stitch Chair by Chamar Studio. Credit: Aeqo

Aequo: Stitch Chair by Chamar Studio 

Chamar Studio founder Sudheer Rajbhar began his career in fashion, and introduced recycled rubber as a sustainable alternative that would provide job security for India’s leatherworking Dalit community. This playful throne is part of a series that marks Rajbhar’s first foray into furniture, with stitching, saddlebags, and belt buckles that remind of his creative origins.

 

Mathieu Lehanneur, Confetti Dresser, Design Miami 2024. Credit: Leandro Viana

Mathieu Lehanneur: Confetti Dresser by Mathieu Lehanneur

Multicolored cast glass cylinders add an unexpected softness to the industrial feel of this brushed aluminum-clad dresser by the French designer who also created the levitating Olympic caldron whose electric flame rose into the Parisian sky every evening during this past summer’s 2024 Games.

 

Sam Klemick, Big Wooden Bell. Credit: Brian Guido Photography

Objective Gallery: Big Wooden Bell Chairs by Sam Klemick

With a practice based around circular design, this Los Angeles talent plays on her own work—bell-legged chairs made of salvaged wood from local construction sites and decorated with scrap fabric cushions—to create this reclaimed Douglas Fir seat with trompe d’oeil-spirited upholstery.

Dobrinka Salzman Gallery. Credit: Christopher Baker

Dobrinka Salzman Gallery: Series One Q by Christopher Baker

A cast of delicate brass characters dances in the light of this meticulous Asian Crepe Myrtle-base table lamp whose wrapped, box-like shade features Japanese Uda gami paper and hand-loomed Filipino pineapple silk panels, sewn with kimono thread.

 

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