Here, we ask an artist to frame the essential details behind one of their latest works.
Bio: Sarah Meyohas, 31, nomadic (@sarahmeyohas)
Title of work: Interference (2022).
Where to see it: Marianne Boesky’s booth (B12) at Art Basel Miami Beach.
Three words to describe it: Impossible, mesmerizing, resonant.
What was on your mind at the time: The holograms come more out of a desire to connect viscerally with the world, rather than to express something within myself. They are analog augmented reality—nothing gets plugged in except for a spotlight from above, which illuminates the glass and replays wave phenomena to produce a three-dimensional experience. They interact with the optics of your eyes in a way that screens do not. When making these holographic works, I wanted to create an embodied experience using hyperreal macro imagery of plant matter, which reveals a sense of the infinite found within the smallest details of something so typically mundane. In a world that spins and scrolls so quickly, we can sometimes feel like we are losing control or alienated, and the act of looking very closely, of pausing on a leaf, feels immediate, meditative, and intimate.