Art

Weekend Cheat Sheet: June 18 - 24, 2018

Ashtrays as art at Fisher Parrish, Liliana Porter’s broken memories, Thomas Bayrle’s first major New York survey, and more cultural intel to help you make the most of your weekend plans.

Ashtrays as art at Fisher Parrish, Liliana Porter’s broken memories, Thomas Bayrle’s first major New York survey, and more cultural intel to help you make the most of your weekend plans.

A short list of the can’t-miss new exhibition openings (and closings) this week, by city. See last week’s list for other recent openings, and for a more comprehensive guide, see our Itinerary.

NEW YORK

Thomas Bayrle “Playtime”
New Museum
235 Bowery
OPENS: June 20
This large-scale celebration of the German pop artist’s oeuvre arrays more than 115 of his works from the 1960s to today, including his signature kinetic paintings, serial patterned textiles, and early computer-based experiments. Together, these visual investigations into technology, consumerism, and propaganda shed light on his astonishing critical prescience. Also opening on the same day is John Akomfrah’s “Signs of Empire,” the first survey of the Accra-born British artist to be held in America. The exhibition features four of his films, including his acclaimed 2015 video installation Vertigo Sea.

(Opening image: Thomas Bayrle, “A Pilsner, Please!,” 1972. Courtesy the artist.)

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Jonathan Trayte “Fruiting Habits”
Friedman Benda
515 W 26th Street
OPENS: June 21
The London-based artist’s first solo exhibition in the United States reimagines domestic spaces and objects into an array of playful and alien forms. Trayte’s culinary and catering backgrounds are brought to the fore in this series of functional objects that blend the synthetic colors and materials of food packaging with vegetal motifs from the natural world. Read more about Trayte’s “Fruiting Habits” creations.

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Ron Arad “Fishes and Crows, ‘85-’94”
Friedman Benda
515 W 26th Street
OPENS: June 21
Highlighting a significant period in the Israeli designer and architect’s career, this survey tracks his experimentation with industrial methods and materials in pieces such as “Tinker Chair,” the development of his subversive forms, and his then-emerging geometric clarity in furniture series including “Cone” and “Big Easy.”

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“Seed”
Paul Kasmin
293 Tenth Avenue
OPENS: June 21
An expansive exhibition that features work from almost 30 artists (including Yoko Ono, Hein Koh, Cecily Brown, and Wangechi Mutu, among others), “Seed” is a thematic exploration of cosmic and mystic female archetypes. Curated by Art Production Fund cofounder Yvonne Force, this multigenerational and multinational exhibition includes works from a range of genres and mediums, including figural sculpture and painting, landscapes, abstraction, and symbolism. Just around the corner in its 515 W 27th Street space, the gallery also opens “Almost Solid Light: New Work From Mexico,” a new exhibition showcasing contemporary Mexican artists’s use of wood, concrete, and other repurposed materials.

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The Ashtray Show”
Fisher Parrish
238 Wilson Avenue, Brooklyn
OPENS: June 22
Following the gallery’s inaugural exhibition, “The Paperweight Show,” last year, Fisher Parrish once again brings together a collection of small works by more than 80 contemporary artists and designers to celebrate the Brooklyn space’s one year anniversary. “The Ashtray Show” turns an artistic eye towards that most functional and oft forgotten object of smoking paraphernalia, the ashtray, bringing out the sculptural quality of this once-ubiquitous tabletop object.

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“Readymades Belong to Everyone”
Swiss Institute
38 St Marks Place
OPENS: June 23
The third annual edition of Swiss Institute’s Architecture and Design Series recreates an urban cityscape, replete with works from more than 50 artists and including 17 new commissions. Housed in the Swiss Institute’s brand new building, the exhibition reflects the artistic lineage of the readymade, which has long confronted the increasingly mechanized and industrial nature of the modern urban experience.

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“Glass of the Architects: Vienna, 1900–1937”
Corning Museum of Glass
1 Museum Way
Corning, NY
OPENS: June 23
Austrian glassmaking underwent a transformative period at the turn of the 20th century, when ideas, individuals, and cultures rallied around modernism. Surveyed here are 172 works by glass designers (then known as architects) such as Josef Hoffmann, Vally, and Koloman Moser, whose creations demonstrate the variety of techniques and aesthetics that revolutionized Austrian glass.

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Jonathan Trayte, "Kandi Lamp," 2018. (Photo: Courtesy Friedman Benda and Jonathan Trayte)

ELSEWHERE

The Haas Brothers “Stonely Planet”
Boesky West
100 South Spring Street
Aspen
OPENS: June 20
Los Angeles–based duo the Haas Brothers take over Marianne Boesky’s Aspen location with new and old work that turns domestic and functional objects into fanciful animalistic creatures. In addition to showing off crowd favorites, such as their furry ottomans with limbs and tails and porcelain vases with sea anemone-like tentacles, Nikolai and Simon Haas will debut a series of novel monumental objects crafted in Portuguese marble. In keeping with their other works, these functional designs—a bathtub, coffee table, mantle—also take on charming animalistic forms.

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Liliana Porter “El hombre con el hacha y otras situaciones breves”
Pérez Art Museum Miami
1103 Biscayne Boulevard
Miami
OPENS: June 21
Liliana Porter’s installation at the Pérez Art Museum Miami is an expansive exploration of time, history and memory. The broken objects that make up the work, from pieces of porcelain to a destroyed piano, serve as the physical manifestation of human memory: its attachment to objects, its tendency to catalogue and classify, its often haphazard and fractured nature.

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Georg Baselitz Retrospective
The Hirshhorn Museum and Sculpture Garden
Independence Avenue SW & 7th Street SW
Washington, D.C.
OPENS: June 21
Each phase of the German artist’s storied six-decade career is highlighted in this major retrospective, composed of more than 100 works. Arranged chronologically, these paintings and sculptures—including his groundbreaking figurative piece “The Naked Man” (1962), his “Helden” (1965–66) and “Fracture” (1966–69) series, and his upside-down paintings—trace the evolution of his artistic vocabulary and approach.

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“I Was Raised on the Internet”
Museum of Contemporary Art Chicago
220 E Chicago Avenue
Chicago
OPENS: June 23
This ambitious show brings together 100 multimedia pieces—sculptures, videos, photography, and paintings created from 1998 to today—to survey how the internet has recalibrated the way we experience and interact with the world. Included here are artists, such as Juliana Huxtable, Cao Fei, Ryan Trecartin, and Sophia Al Maria, whose works document the shifts in identity, sensuality, consumerism, and spectatorship to occur in this brave new millennium.

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