The multitalented artist’s most ambitious outing yet sees him create a Brutalist environment of marble sculptures, light pillars, photographs, and projections to investigate the paradoxes of idolatry in the modern world. It’s not a new phenomenon for Wessely, who has delved into human worship with musicians like The Weeknd and Swedish House Mafia. Here, he strips away layers of societal constructs to expose humanity’s raw, inner core—what originated as photographs have evolved into “photo-based” sculptures that reveal humanity’s fragile, ephemeral nature.