The Parisian artist puts the power of divinity and spiritual transitions on full display through an immersive sculpture of pink pom poms that frame his blush-toned paintings, which portray cherubs, angels, and references to Auguste Rodin’s La Porte de L’Enfer. Elsewhere, a site-specific ceiling painting of an exhausted angel speaks to the theatrical possibilities of ornamental architecture. “Looking inward, I knew that if I was able to make this show, it would need to be soft, blush, tactile and responsive,” says Lutz-Kinoy. “Perhaps what happened in my studio over the past year was a production of a potential reality; a frame through which I could find connections, describe the trials of these years, and look out onto an endless stream of clouds.”