The inaugural exhibition at the Foundation’s new space (the site of Resnick’s former studio) offers a five-decade retrospective of the painter’s monumental career. Here, his early abstract work from the ’40s and ’50s, and mature all-over canvases, including 1963’s “New Bride,” are drawn together in a show of his muscular brushwork, dense use of impasto, and evocative skill.

Milton Resnick, “Untitled” (1949). Collection Metropolitan Museum of Art, NY