A barn-turned-gallery located 15 minutes outside of St. Moritz, in the sleepy mountain village of Madulain, is about as antithetical to the bustling city center art scene as possible—and it’s all the better for it. There, the Swiss-born artist makes something of a homecoming with his exhibition of sculpture, videos, installation, painting, and paper works that engage with Stalla Madulain’s past as an agricultural barn. Vitrines made of manure, wool, hay, and horsehair recall the structure’s humble origins, while untitled paint on paper and papyrus works forge a connection with the surrounding landscape.