Jeffrey Deitch

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Jeffrey Deitch

Jeffrey Deitch has been involved with modern and contemporary art for nearly fifty years as an artist, writer, curator, dealer, and advisor. He opened his first gallery in Lenox, Massachusetts near Tanglewood, the summer home of the Boston Symphony Orchestra, in 1972. During the final week of the gallery’s summer season, a New York artist who had been a regular visitor sat down with Deitch and told him that even though he had some aptitude for the field, he needed an art education. Deitch has been working on his art education ever since.

CURRENTLY SHOWING
Wonder Women, Curated by Kathy Huang
May 7–June 25, 2022
18 Wooster Street

Sasha Gordon: Hands Of Others
May 7–June 25, 2022
76 Grand Street, New York

For over a decade, Austin Lee has explored the emotional potential of software-influenced art. He combines traditional techniques with the latest digital tools to create vibrant paintings, sculptures and animations. All of the works in Like It Is, Lee’s second exhibition at Jeffrey Deitch in New York, are composed in virtual reality and then made into physical objects.

Surface Says

Jeffrey Deitch’s impact on contemporary art in the United States can’t be understated. With his eponymous galleries in New York City and L.A., he continues to elevate the work of today’s most pivotal artists.

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Jeffrey Deitch has been involved with modern and contemporary art for nearly fifty years as an artist, writer, curator, dealer, and advisor. He opened his first gallery in Lenox, Massachusetts near Tanglewood, the summer home of the Boston Symphony Orchestra, in 1972. During the final week of the gallery’s summer season, a New York artist who had been a regular visitor sat down with Deitch and told him that even though he had some aptitude for the field, he needed an art education. Deitch has been working on his art education ever since.

CURRENTLY SHOWING
Wonder Women, Curated by Kathy Huang
May 7–June 25, 2022
18 Wooster Street

Sasha Gordon: Hands Of Others
May 7–June 25, 2022
76 Grand Street, New York

For over a decade, Austin Lee has explored the emotional potential of software-influenced art. He combines traditional techniques with the latest digital tools to create vibrant paintings, sculptures and animations. All of the works in Like It Is, Lee’s second exhibition at Jeffrey Deitch in New York, are composed in virtual reality and then made into physical objects.